Sash Saw and Saw Vise

Would you believe I'm still sifting through material I gleaned from the Woodworking in America conference in Valley Forge in October?

As I've said, the marketplace was one of the best attractions at the show because you could talk directly with tool makers and take their tools for a test drive. This is really the best way to find out if you and a tool can play nicely together. It's one thing to read a review, but it doesn't compare to actually trying the tool first hand.

Joel Moskowitz, from Tools for Working Wood, showed me his new sash saw (which should be available soon) and saw vise.

So, what makes these tools special? According to Joel, nobody else makes a saw vise these days. He said, "Lots of people tried the vise out during the show and, except for Adam Cherubini who didn't like that really shallow dovetail saws don't fit (they don't fit on Disston D3's either or most other saw vises—you just stick out the last inch and file away), we got pretty much raves from everyone."

I talked with a show-goer who said what he liked best about the vise was that it supported the blade along its entire length, even in the middle. There was no chatter when he filed the teeth.

Regarding the sash saw, Joel believes it will be the lightest one on the market, which he says will make it easier to sense square and saw for long periods of time. Also, the handle is very elegant—the lamb's tongue "just licks the blade."

The saw is filed rip with a little fleam. Joel remarked that many people at the show were amazed that it cut both rip and crosscut "pretty darn well and fast."

I tried out Joel's sash saw and was impressed that it did indeed cut just as well on the rip as it did the crosscut.

Although I did not order either one of these tools, I did buy a bunch of other products from him. That's the other thing about trying tools in person—it makes it hard to walk away empty handed.

Progress Shots

I finished the carved portion of the sharpening stone box and sprayed it with 5 coats of satin polyurethane to protect it from getting dirty while I fitted it to the lid of the box.

The two pieces of cocobolo that will become the lid and the bottom half of the box were intentionally cut too long. That way, I could clamp them to bench while I chiseled out the waste for the carving and the sharpening stone.

I used my new Czech Edge marking knife to scribe the outside edges of the carved piece to the cocobolo. The scribed line, as you might guess, was very difficult to see on the dark wood, so I traced the line with a white pencil. The white stayed on either side of the line—since the wood was so hard—and the line remained dark.

It worked fairly well, but a more effective way would have been to use a technique that was taught to me by David Finck: Prior to scribing your lines, paint the area with water-based white paint. Once it's dry, mark your lines, and they'll show up very clearly.

I used a small [electric] router to remove most of the waste from the cavity and then cleaned up the edges with a chisel. With one swipe of my hand across the workpiece to brush away the chips, I remembered that cocobolo is splintery. Ouch. Using a shop brush to shush away chips is much easier on your hands.

The carving will sit a little proud of the lid once I glue it in place. I checked the fit first by pushing it a little way into the recess—though not all the way, so I could still remove it.

I'll rout and chisel the inside of the lid and bottom to make room for the sharpening stone and put finish on the cocobolo before gluing the carving in place.

I'm pretty sure that only another woodworker could understand why someone would spend so much time making a box for a sharpening stone. Perhaps this should be added to the list of tips for wives of woodworkers.

Table Saw Book Winner

Justin Tyson won the Complete Illustrated Guide to Table Saws. Congratulations!

I added it to the original post, but I think that Justin hasn't seen it,

since I haven't heard from him.

Justin, if you'd like to send me your address, I'll be happy to mail the book to you. :o)

Please email me at: goodwoodworkshop@comcast.net.

Tiny Scrapers

Scrapers, sharpening, and scratch stock changed my life as a woodworker.

Scrapers get you out of sticky situations with difficult grain and allow you to smooth curved or otherwise non-flat surfaces; learning to sharpen is (in my opinion) the single most important skill in woodworking; and making scratch stock opens up a new world of creativity.

So when I ran into trouble trying to flatten the background on a small relief carving, all three came to the rescue.

With the help of some brainstorming friends, I decided to reshape two dental tools into mini scrapers.

I used a dremel tool to grind the ends. Then I filed a flat on the cutting edge the same way that I sharpen scratch stock: square to each surface and with no burr. This creates two very sharp

micro edges where two surfaces meet.

Then I honed the top, back, and edge of each tool on my 8,000 grit waterstone.

They may look like tiny garden hoes, but they work great at smoothing out a once-rough surface, both with and against the grain. Tiny peels of shavings, not sawdust, come off the edges.

Check Out This Kid

I know I'm not alone in my enthusiasm for young woodworkers. We all want to see young people take up the hobby or trade. To keep it going for future generations. To experience the same love of working with their hands that we do.

I found this kid on youtube recently. His name is Alex and he's been making and selling pens for the past year to help pay for his college tuition.

Alex plans to go to med school, he shoots and edits his own woodworking videos, and he uses some heavy-duty machinery in his dad's shop. Alex is only 12 years old, but he's quite the entrepreneur. His business is called Pens For College.

Since he's just a kid, some might think he's pushing the "Awwww" factor in his marketing angle. Like the time I was walking my dogs around the block and some neighborhood kids were selling lemonade. One of them, a tiny four-year-old, said (and I quote) "Hey, ya got any money?" I didn't, but I took the dogs home and walked back to their lemonade stand with my 50 cents and drank out of their communal cup. To my horror, they didn't have disposable cups, just two plastic ones that were being used over and over. Yeah, ask me if I'm trying to erase that thought from my memory.

Anyhow, check out Alex's video. He may be 12, he may be cute, but he definitely knows what he's doing in the workshop.

A Little Help From My Friends

Have you ever wondered what the big deal is about Twitter—what's it good for? Permit me to offer this example.

I'm working on a little relief carving and even though I have tiny chisels and gouges, I'm having trouble getting the background flat and smooth. There are instances where I must carve against the grain, and that's producing some rough results.

Enter Twitter.

I pitched this question this morning: Carving peeps, is there a way to flatten or sand a relief carving's background that has very small areas? Any tricks? I can't get a chisel in there.

Less than an hour later I had five viable suggestions.

What does this mean?

1. Twitter is an awesome networking tool.

2. Woodworkers are clever folks.

3. A lot of my friends goof off at work (and so do I!).

So, what was their advice?

1. File a finish nail and use it as a scraper.

2. Wrap sandpaper around the end of a small dowel.

3. Use rifflers, specifically Grobet brand.

4. Use a dremel tool to grind a bevel on a small allen wrench for use in a mini router plane.

5. Try netsuke carving tools.

Those answers jumpstarted my own brain activity and I came up with two ideas: grinding a dental tool to use as a scraper; and use adhesive-backed sandpaper on the bottom of a fine artist's paint spatula, which can be trimmed to any shape and made as small as necessary with metal cutters.

Feel free to offer your advice with this carving dilemma.

And with that, I'm off to the shop!

The Joiner and Cabinet Maker

When I pre-ordered The Joiner and Cabinet Maker from Joel Moskowitz, I figured I'd be getting a quaint little story about a young woodworking apprentice in 19th c. England.

What I got was a history book, a novel, and three projects all rolled into one captivating tome.

Joel provides fascinating details about woodworking trades in rural and urban England; and how they compared, from high end shops to garret masters (those who built and sold one piece at a time and worked from a room in their dwelling).

Also covered are workshop practices, including purchasing materials and tools; expectations and responsibilities of apprentices and journeymen; wages; and details about the hierarchy and differences between the specialized trades within the realm of woodworking.

The novel itself, first published in 1839, was part of a series of almost 100 books that provided an overview of various trades to help young people choose a vocation.

The Joiner and Cabinet Maker follows young Thomas from the start of his apprenticeship, as he learns about shop behavior and duties, including keeping the glue pot warm and the fire going; sharpening his tools; choosing lumber and laying out a project; and building three projects of increasing difficulty.

We learn about the interactions and pecking order between the master, journeymen, and apprentice, and what it means to be a conscientious craftsman.

The footnotes alone are worth the price of admission. Joel offers loads of information about tools, techniques, and woodworking trades in 19th c. England.

Following the novel, Chris Schwarz walks us through the 3 projects using only hand tools. He clearly explains how to build a packing box, a school box, and a dovetailed chest of drawers.

We learn the differences between wrought head, fine finish, and rosehead nails, and cut headless brads and sprigs; how to fit locks; woodworking techniques; and how to put an 8 year old girl to work without attracting the attention of the Department of Labor, Child Labor Laws Division.

The book concludes with notes on bound and cased books, how they were made, and how they were used in the 19th century.

The Joiner and Cabinet Maker not only shows you what it would be like to work in an English cabinet maker's shop in 1839, it may very well encourage you to unplug your own shop.

Thanks and Giving

Two benevolent woodworkers recently sent me some fancy wood to play with. Thanks guys!

One woodworker is Ethan Sincox and the other wishes to remain anonymous.

The woods include spalted walnut, pearwood, satinwood (which smells exactly like coconut oil and pineapple—according to Ethan—and indeed it does!), rosewood, and bog oak.

One kindness begets another, so I'm giving away a table saw book, written by Paul Anthony, which was given to those of us who attended the Fine Woodworking Finishing Showdown.

Anyone can enter to win this book, even if you are from Siberia, Tasmania, or Nepal. Don't let your location stop you. If you win, I will gladly mail it to you.

To enter the drawing, just write your name in the comments section. 48 hours from the time this is posted, I'll ask my partner to pick a random number from the total number of entries. The corresponding number in the list of entrants wins the book.

I'm not having any more question-related giveaways—you guys are too clever!

------------------------------------

I printed off 49 individual numbers and my partner pulled one out of a bowl. And the winner is

Number 5: Justin Tyson!!

Justin, please email me your name and address and I'll mail the book to you asap: goodwoodworkshop@comcast.net