David Savage / Black & Decker Event

All are welcome to this FREE event. You just need to email one of the coordinators (listed below) to let them know you're coming so they have enough food for lunch.

When: Saturday, July 11, 2009.

10:00 a.m. to 4:00 p.m.

Where: Black and Decker University, 8701 Mylander Lane, Towson, MD 21286

Cost: No charge. Pizza will be provided by Black & Decker.

Schedule:

10:00 a.m. – 12 noon: Delta – Porter Cable – DeWalt Product Development team will give a briefing on new tools they have under design and development, and will ask for our feedback to help them improve their ideas.

12 noon – 1:00 p.m.: Lunch

1:00 – 2:30 p.m.: David Savage, a British furniture designer and maker of international stature, will be the featured speaker. Not only is David highly successful in his own business, but he has a multi-decade history of teaching other woodworkers to be successful in their own businesses. David will talk about The British and Irish Studio Furniture Movement. He will focus on how British and Irish furniture makers have developed a way to stay connected with one another. For more about David Savage: www.finefurnituremaker.com

2:30 – 3:00 p.m.: Talk on Setting up and tuning a bandsaw by B&D University

3:00 – 4:00 p.m.: Round Table on “How to make your woodworking business successful”

Raffle/Drawing for a free school seat from Jeff Headley and Steve Hamilton

Contact: Mel Montemerlo at montemerlo@gmail.com; Stu Crick at stu@stuswoodworks.com; or Alan Garner at theagarn@comcast.net

3rd Ward

3rd Ward, an art facility in Brooklyn, contacted me about mentioning their woodworking department on my blog.  

I have never been to the facility, but I noticed on their website that Joel Moskowitz is teaching a Sharpening class on June 25 (read his write up here), so I asked him about the woodworking programs and instructors.  He told me that although he has never taught there before, he believes there is a need for this type of facility that provides basic training for designers and furniture makers.

He said that 3rd Ward rents shop space to woodworkers and professionals who are just starting out and that the shop contains the normal machinery and benches you would expect.

So if you live in the surrounding areas, this might be a really good opportunity for you.  If you have any questions about the woodworking programs, please email info@3rdward.com.

Supersize It!

As a kid, I used to love to borrow my Dad's little magnifier to inspect everything from flowers to bugs. We'd take it along with us on camping trips and I admit to more than one time, trying to fry an ant by reflecting brilliant sunshine through the lens and onto the hapless creature. Never worked.

In the chip carving class I took with Wayne Barton, the knives we bought from him required some sharpening before use. They came with a blade shaped like the Washington Monument, and it was our job to flatten the sides on ceramic stones. (See illustration at left).

Over an hour later, I tried carving with my knife, which tore the wood instead of producing a crisp cut.

It sure looked sharp to my eye. So I handed it to Wayne, who reached in his pocket for a little monocle-type magnifier. He inspected it and, without a word, slid the blade in rapid-fire motion back and forth on my stone. He looked again through the magnifier and handed the knife back to me.

It cut like butter.

After that, I asked Dad if he still had his pocket magnifier. And while he no longer had the cool one in the little leather case I played with as a kid, he was happy to give me another, which has a permanant place in my shop apron.

The first blade close-up is my chip carving knife. You can see how clean the edge is. And although the sides could be flattened a bit more, it cuts great.

In contrast is my pocket knife (second close-up), which I thought was sharp until I looked through the magnifier. (Did I mention I need bifocals?)

The last two images are the torch lillies that are blooming in my backyard. Unfortunately, there was not an ant in sight when I took the photos.

Workshop Video Tour

Watch in High Definition here.  (click on the HD button on YouTube)

My shop has never been cleaner since I'm having an open house on Saturday, and I'm taking advantage by documenting it on film.

It looks a little disorganized since so many cabinets either need to be built or need to be finished. My assembly table still needs a work surface (it's not meant to have unattached strips of 2x4s as a top) in addition to doors. But hey, it's my little slice of heaven.

I'll walk you through the land of unfinished projects and show you the world's cheapest store-bought workbench ($139 at B.J.'s Wholesale Club).

And if you watch the entire video, you'll get to see a scruffy little dog wearing wellies.

Music is "Wagon Wheel" by Old Crow Medicine Show.

See You In St. Charles

Join me at the Woodworking In America Conference August 14-16! It will be too hot to do yard work anyhow, and unless your shop has AC, it will be too uncomfortable for woodworking.

Plus the resort* has both indoor and outdoor pools. And I hear that Marc Spagnuolo and Matt Vanderlist wear speedos.**

Interactive workshops and Q&A sessions on Early American, 18th century, Arts & Crafts, Shaker, and Contemporary furniture will help you learn new techniques and discover the details that make each style unique.

Unleash your creative energy by learning how pieces were made, how to successfully include combinations of mouldings, carving, and inlay, and understand proportions to make an aesthetically appealing product.

Learn methods to recreate Greene & Greene furniture, how to design with wood grain, and how the popular software program Sketch-Up can help you through the design process.

Q & A sessions with expert woodworkers will offer an informal chance to have all your questions about joinery, finishes, and ornamental details answered.

Check out the schedule here. Read about the impressive line up of presenters here. And view the list of exhibitors here.

Not only that, but the keynote speaker for the Saturday night dinner is Thomas Moser, who relied on historical influences to develop his own internationally known brand of furniture.

The Saturday dinner, the Marketplace, and the in-between seminar times are excellent opportunities to meet other woodworkers, make friends, and speak directly with presenters and exhibitors. If it's anything like last year's conference, it will be the best, albeit exhausting (but I'm a wimp), 3 days you've had in a long time.

It's easy to copy a plan from a book, but making your own original piece based on the knowledge you acquire at the conference can be more personally rewarding.

See you there!

*The resort looks pretty sweet and a section has been blocked off for conference attendees to make the stay affordable.

**I'm aware that this is a potential deterrent.

Civil War Woodworking

"A hundred rifles rattle as they are simultaneously cocked and brought to the shoulder. I train my rifle on the man in the kerchief, waiting. The man is clearer now, exhausted from the heat and the trek up the hill. He doesn’t fire. None of the men advancing on us are firing. Yet." —A. J. Hamler, Civil War Woodworking

Ever since I read A. J. Hamler's article on Joe Cress in Woodwork Magazine (sadly, a discontinued publication), I've been hunting for books with decent images of campaign furniture and have found nothing, until now.

A. J. is finishing up his book "Civil War Woodworking" with a publication date of September 1, but you can preorder it on Amazon.

The book is geared toward amateur to moderately experienced woodworkers with easy projects, like a 5-board bench and hard tack crate, that are well within a beginner's reach. At least two projects are a bit trickier: an officer's folding camp chair and a pine field desk with simple joinery.

A.J. is planning a more advanced book as a follow-up to this one which will include projects with more complex construction.

A. J. spent extensive time researching and sleuthing, since there are so few photos and actual pieces of campaign furniture. For the officer's folding chair, he made paper and foam board prototypes to make sure all parts fit correctly, because estimating sizes and angles from old photos was challenging.

He explains how you can build these pieces authentically—and what it means to be "period-correct"—and provides other options if you are more of a Normite than a follower of St. Roy.

In addition to the projects, A. J. also explains the differences between hardcore and mainstream reenactors and those called "Farbs"— people in period attire who might be sporting a wristwatch and sunglasses while talking on a cell phone. He also includes cool photos of reenactors and 19th c. soldiers.

I've read a few excerpts and it's a great book. Well written • engaging • Civil War woodworking projects. What more could you ask for?

*All images are from A. J. Hamler's "Civil War Woodworking."

The Hide Glue Book

Stephen Shepherd has published a new book, "Hide Glue: Historical & Practical Applications."

He also has copies of "Shepherd's Compleat Early Nineteenth Century Woodworker" available.

Men & Women: An Observation

A lady (non-ww) pointed toward the relief carving on the presenter's 18th c. sideboard and asked, "Is that hard to do?"

There was a low chuckle from the all-male (but for me) crowd, and the speaker looked at the woman, speechless. What a loaded question. She added, "I mean, do you need to have artistic talent?"

After some thought and a few false starts, he answered, "Just try it and see." That's a perfect answer for men. As a woman, that was not what she was looking for.

I want to point out that the presenter did the best he could to answer her question on the fly and added that it is a skill that can be learned. He in no way was being disrespectful of her, nor were any of the men in attendance.

There are always exceptions, and I'm generalizing, but: Women lack confidence.

When faced with something they've never done before, men tend to fearlessly "try it and see." Whereas women usually ask themselves "Can I do that? Can I figure it out on my own? Will I screw up? Who can I ask for help?"

Add to that: Women don't like to make mistakes. (I know that men don't either, but they don't seem to be as petrified about it.) Could be that women don't like to waste material. Could be they don't want to waste their time, when often (and again I'm generalizing) they have less free time than their husbands. That's because women sometimes take on too much, care too much about what the house looks like, and worry too much about everything.

After the presentation, a friend introduced me to the lady and told her that I do some carving. I'm a beginner at carving I explained, but in my opinion, copying an existing design is more technical than artistic. It's more about layout, following the rules of grain direction, and learning to use the tools properly. If you're going to carve original designs, then that requires some artistic skill. I added, "If you have a desire to learn something, you will learn it."

She said that she knits and does other crafts—that she likes to work with her hands. "Then you can do this," I said.

She wanted someone to tell her that she has what it takes to try something new. With women, a little encouragement goes a long way.

This post is in no way meant to be a cut on men or women. I admire both genders for their strengths and weaknesses—for everything they have to bring to the table.